Introduction It connects vices with the theme of the section of idolatry via a moral interpretation of the beast of Apocalypse 13-14, on the basis of Alexander of Hales: adoring the beast with seven heads means to commit the seven capital sins both mentally and factually. There is in fact a triple form of idolatry, that of infidels (Jews and Muslims); that of heretics; that of bad Christians (i.e. sinners). Worshiped by God “Bestia itaque est diabolus, imago vero illius est peccatum. Septem autem capita eius sunt septem mortalia peccata, que tunc adoratur cum peccatur” (f. v3r).

Introduction “Tempus istud quadragesimale et thema dant mihi motivum de quadam materia predicandi multi utili et necessaria persone que stat in peccato mortali et mala vita quo poterit exire peccatum per gratiam dei” (f. s6r). On the word surge and the story of Elijah, first a litteral interpretation and then “iuxta intellectum tropologicum vel moralem” (moral interpretation): land of Israel = the condition of sin. Ferrer explains the dynamic of retribution. The good works done in mortal sin have no merit but are useful, with an earthly reward and may contribute to return in the state of grace (“si continuaveris bonum opus retrahet te de peccato nec permittet te mori in mortali”). Yet, even after conversion, they will remain without eternal reward (this is true also for saints, such as Paul and Mary Magdalene, whose good works done before conversion were unremunerated). Key biblical text John 15: “quia sine me nihil potetis facerer”.  Sarepta = penance, which allow to raise from mortal sin: “Iuxta intellectum spiritualem modo videamus quomodo surget persona que diu dormit in peccato mortali”; list of biblical passages on surge/surgite. Division On rising from sin by tmeans divine grace, explained with the simile of getting out of bed in eight actions (see above). The sermon is structured around these eight actions. Main part 1) Opening the eyes = recognize sin, through grace - each one according to his/her state of life (exempla from religious life). Reference to David and Psalm 50 (Miserere). 2) Sitting up on the bed = contrition (with distinction from attrition). Example - giving voice to direct discourse - of a friar and a sentenced to death. True contrition: matter = pain of sins; form = awarness of having offended God. 3) Getting up, not naked but with a shirt = good resolution to amend, will to wear the new man (not yet effective, but it functions as a martyr's desire: it is already meritorious). The sermons dwells on the example of the loss of virginity and the impossibility of recovering it. 4) Go away from bed = abandon bad company (poet's quote: "Que nocitura tenes quamvis sint cara relique"; Distica Catonis?). Utmost clearly Christ: if a member is a scandal to you, cut it. It must be understood in a figurative sense (it recals the theme of the hand as an "organum organorum"), cut off dangerous relationships (servants, procurator, confessor, teachers...). 5) To spit abundantly (“spuit non solum materiam parvam sed grossam”) = confession  6)  Put on the shoes = forget past offenses and renounce to revenge: “Beatus qui potest dicere non habeo odium in corde”. 7) Put n the belt = repaying debts, fixing damages, and living soberly (“minuendo excessum et ornamenta vana”). 8) Wash hands (and face) = almsgiving. Sevral practical practical advice [already encountered in the Lenten sermon colletion]: a) divide the cash box in two ("in capsa"), so as not to mix badly acquired money with others - so that seeing them may arouse remorse and push one to return them; b) don't put the leftover food back in the pantry and don't give it to the dogs - it must be given to the poor.

Introduction Craftsmanship (ars) fixes the defects of nature (candle, stairway, ship...). There are three periods in history: ante legem, sub legem, tempus gratie. The law is like a craftsmanship (ars) that corrects the defects of [postlapsarian] nature and a figure of grace. References to the thema: Christ comes in the latest phase of history and the ship connects first with the Virgin Mary (allegory) and then with penance (moral interpretation): “vel navis designat penitentiam que nos de periculis mundi in sero huius temporis potest deducere ad portum salutis” (3K). - Two quaestiones (quaestio), connected with the two interpretations. Access to divine mercy. Christ is the source, yet the Virgin Mary is “quasi singularem imperatircem”. On the cross, Christ entrusted John to his mother, she is the only one who kept the faith, so to her he entrusted the Church (i.e. the ship): “ideo nunc habeas curam de ea cum filio quem tibi committo, ut navis ecclesie tua misericordia gubernetur” (3L). The divine mercy is received in the Church, through the Virgin. Is penance in extremis salvific? Penance needs to be true, that in extremis is risky since free will and deliberate conscience can be absent: “debet esse voluntaria et propter deum”, while there is the risk that it is motivated only by fear of eternal pain (“propter timorem pene”). It is also difficult to change nature (as an Ethiopian or a leopard do not change colour...). Yet, true penance is always salvific, also at the last moment (exemplum of Manasseh, 2 Chronicles 33). During this life, nobody should despair – but for this reason, no one has to postpone repentance. - Divisio  - First part  Necessity to watch (symbolized by the disciples working during the night on the boat) to protect oneself from the persecutor, i.e. the devil. Four vigils during the night symbolize different types of good works connected with different symbolic birds: first, the works of contrition and penance - brief discussion on confession, with the exemplum of the peacock; second, works of sanctification (comparison with the sparrow); third, works of compassion and mercy (associated with the crane); works of devotion (Ego dormio et cor meum vigilat; Ct 5), is the contemplation, exemplified by the nightingale (philomena). - Second part Importance of the presence of Christ, pilot (gubernator) of ship that has to cross the dangerous sea of this world. In the Gospel, he invites to trust him: Confidite, ego sum, nolite timere”. Three types of people need to trust him. incipientes quos informat ne pereant proficientes quis confortat ut compleant perfecti quos conservat ut permaneant [3S] 2.1. The beginners are those who begins the penance by putting the boat on the sea. Yet, as soon as one wants to make penitence, he is assaulted by pirates, symbol of pleasure (“obviat pyrata infernalis vento voluptatis”): depending on his character, they cause bad thoughts, stop him, capture him (3S). Long exemplum of Ulysses and Circe, referring to Boethius. In the moral interpretation, the transformation in beasts is connected with social sins, while Ulysses symbolizes the person who wins through the power of reason and by smelling the flower given to him by the queen of Troy - i.e. Christ which is given to a person by the Virgin Mary - and begins to do penance (3T). 2.2. Those half way are in the middle of the ocean and can be affected by sloth, lose the initial energy and relax too much, thinking that is natural to eat, drink, sleep, and make themselves comfortable – i.e. a relaxation in the ascetic effort. Sloth and laziness are the wind against, which is sent by the devil. Reference to the fable of the sirens mentioned by poets (“de quo in fabulis poetarum recitatur..”; 3V]), first in general, and then in connection with Ulysses “ut recitat Alexander in cincillario poesis” (?). Interpretation: syrens (the devil) want to move someone away from the commitment to navigation; Ulysses closing the ears of his fellows means to control the five senses; the mast of the ship is the Cross (3X). 2.3. The perfect people must be careful, since the perils increase getting close to the port, particularly the storms. Particularly dangerous is the spiritual pride and the poison of vainglory as well as to trust in oneself and in its merits (merit), for instance by recalling the good works done, while instead one has to trust only in Christ. The nautical imagery is prolonged with the story of the sea monster that becomes like a island, on which the sailors land, tying their ship to it and when they kindle a fire to cook, the monster awakes and sinks dragging them with itself. The monster symbolizes the world, due to its instability (instabilitas) and its being covered in mud by sins; the perfecti sometime stop to worry about the world, trust to much in themselves, and are suddenly overwhelmed by it (3Y). - Third part Miracles of Christ and his curative nature (he is compared with plants such as the pomegranate and with gems). In the Gospel, the people is cured by touching his garment. He has a triple garment (symbolism of clothes): 3.1. Purplish (purpurea), symbolo of the blood of his Passion - several biblical references – which can be touched by means of meditation. 3.2. Golden, i.e. the splendour of his virtues, which can be touched through imitation (imitatio). 3.3. The third garment of Christ was the womb of the Virgin Mary, which is ‘multicolour’: “istud vestimentum est stragulatum, vulgariter: gestryffelt” [note the vernacular expression]. Biblical reference: “Stragulatam vestem fecit sibi; bissus et purpura indumentum eius” (Proverbs 31:22). This leads to a Marian ending of the sermon, where each colour of the womb is connected with a virtue: plauenus = patience (which needs to be lined with joy: “istud vestimentum nihil valet nisi infuteratum, illa fuderatura est letitia ut leta sit patientia”; 3Z); candid = virginity; purplish = love (caritas)