"In die parasceves devotissimus modus passionis domini nostri Iesu Christi contemplandus in quatuor viis cum utilibus questionibus". Introduction Ample introduction, which immediately underlines the duty of compassion and of weeping on Good Friday, as it will prove that one is a real Christian – a theme recurrent along the sermon which insist on the need for the preacher to move the audience and for the listeners to be moved by the Passion: «ido ipsam [Passionem] tenemur singuli qui sumus fideles adulti diligenter devote et lachrymabiliter sub pena eterne damnationis attendere» (f. H6r). This is proven in four points, namely ¬autoritates, rationes, similitudines, exempla. At the end of the first point, the preachers imagines Christ who addresses directly the human soul and who states that the Good Friday sermon serves to discern who is a true Christian (i.e. a limb of his body), since s/he will weep: «Attende bene quis ego sum et vide que patior et meam passionem fac tuam per compassionem et fletum. Id circo enim in hac die predicare facio meam acerbam passionem ut videam qui sunt membra mea, illi profecto qui sentiunt per compassionem, illi vero sunt alieni qui non dolent ergo nec curant flere» (f. H6v). On the basis of Nicholas of Lyra the body metaphor is then applied to the different groups in the Church. The salvific effect of the Passion needs to be welcomed by compassion and love (« per dilectione et compassione»), since: «ille qui illi non compatitur, dannabitur»; f. H7r). Imediately is presented as best exemplum the Virgin Mary, who was most sorrowful during the Passion (the key events are immediately listed) – she serves as emotional ‘spur’ for the faithful. Brief reference to the common place of the impossibility to pray the Ave Maria on the Good Friday – and so the need to turn towards the cross, using the hymn O crux ave (f. H7v).  Sermon body The sermon is organized around four routes (viae) of the Passion, which mark the chronological order of the Passion: «Et ideo charissimi salvatoris mundi discipuli et illius veri filii per quatour vias attendamus hodie et videamus redemptoris nostri maximum dolorem...» (f. H7v). 1: from Bethania to Jerusalem 2: to the Gethsemane 3: return as prisoner to the city 4: to the place of crucifixion. Each part is introduced by three theological questions (quaestiones) on the Passion (e.g. its necessity, role of God the Father, how pain and joy cohexisted in Christ during the Passion, whether it is the supreme pain ...), followed by a quite plain postillatio of the Passion narrative (harmonizing the four Gospels, with references mainly to Nicholas of Lyra), which includes several emotional addresses to the audience and/or dramatic description of the reaction of the Virgin Mary and the other characters of the Passion. Part one. Noteworthy the passage about what would have happened if Judas and the Jews did not betray Christ, with the hypothesis – presented in a moving way, with direct dialogues – that Jesus would have asked Peter or the Virgin Mary to crucify him [same reasoning in sermon 39] (f. I1r). Ample description of the last ‘private’ meeting of Jesus and the Virgin before his Passion, a very emotional and affective tone (full of kissing and weeping) in this direct dialogue between the two characters (Laskai is careful to state that this is an hypothetical reconstruction). Reference to Bonaventure. (f. I2v-I3r) Here and elsewhere addresses to the faithful soul to contemplate and see the Passion: «O anima mea, anima mea, vide quomodo filius benedicit matrem, et quomodo mater ad mortem licentiat filium. Vide inquam quam copiose flent discipuli, quam pie lachrymantur sancte muliere...» (f. I3r). This kind of address is also used to summarize each section. Part two. The sermon imagines the dialogue between Christ and the angel in the garden (f. I5v), and first description of the sufferings of Christ after his capture, with an emphatic address to the human soul, who is invited to address the Virgin Mary and to go in spirit to the places of the Passion so to gather the hairs of Jesus: «O lachrymandum negotium. O opus cruentis stupendum [...]. O anima christiana, quid audis? Quid cogitas? [...]. Vade igitur anima devota ad locum captivationis Christi saltem in spiritu, et te prosterne ibidem illi gratias agendo et evulsos crines et barbam sanctam recolligendo devotissime» (f. I6v). Part three opens with the descriuption of the diciples divided in groups who cry for Jesus' capture. Very emotional description of the announcement of Jesus capture by John the apostle to the Virgin Mary, with a detailed scene of collective weeping that involve Mary Magdalene, Martha and Lazarus of Bethania. The texts – in the direct discourse - simulates the speaking and weeping together with the anaphoric and pathetic use of heu. It finishes with the invitation to the audience to associate to this group of disciples, who moves towards Jerusalem in search of Jesus: «Ideo associa te mentaliter ad comitivam illius et cum ea attende et vide si est dolor...» (f. I8v), with the repetition of the thema that dots the sermon. Hence, the prosecution of the narrative of the Passion, although presented in a quite plain way, is supposed to happen in front of a special group of viewers/witnesses among which the listeners have been invited to stay.The emphatic tone returns at the end of the section, with the flagellation, with a renewed invitation to compassion and mental participation to the Passion (f. K2r). In comparison, references to the Jews’ responsibility is quite brief and plain. Part four. Christ on the cross as book that teaches all the virtues and distinction between Old testament figurae and he as veritas et identitas (f. K2v). Empathic description of the crucifixion, underling the point of view of the Virgin Mary and the appeal to the faithful to compassion. There is an insistence on the visual language (f. K3v). Yet, it seems that the sermon has to proceed quickly in this section, since – for instance – there is no elaboration on Jesus last words, yet just a brief expansion of with a discourse of Mary to his son on the cross. The sermon closes with a brief but vivid and graphic description of the mourning of the Virgin Mary and the disciples on the death body of Christ, the repetition of the thema and a final exhortation to compassion, with the exhortation to a final collective cry («cum grandi clamore et fletu magno dicamus sic: Christe fili dei vivi, miserere nobis [...]. Tandem unanimiter alta voce dicamus: Iesus, Iesus, Iesus!» (f. K4v).

Introduction As poison is worse than a sword and a false friend worse than a false coin, so it was the falsity and simulation of the Pharisees who asked Jesus for a sign. This leads to two brief quaestiones: whether and how it is licit to praise other people; why the Pharisees sinned mortally by calling Jesus "master" – although he was it. The latter include a discussion on how action and intention need to be joined, since both need to follow the law of God. Division - First part Main theme is ingratitude, first presented by commenting the Gospel episode (postillatio) and then moraliter by considering the Christians who – having received more benefits than the Jews – must thank God (reference to moral teaching of Seneca and, on a spiritual level, in particular to the special gift of the eucharist). Three possible mistakes: “De huius modi beneficiis et donis acceptis: Quidam de deo non cogitant. Quidam deum de beneficiis non honorant. Quidam dei beneficia exasperant” (6V). 1.1. To forget the benefits that God gave connectes with the sensuality of the flesh (voluptas carni) – reference to Plato and the opposition between soul and body. 1.2. Ungrateful people who do not give thanks to God are like a pork, which eats acorns without looking at the tree, i.e. without raising its eyes. An exemplum from the Vitas patrum: in a vision an old monk sees part of his fellow monks eating white bread and honey, while the others eating shit (stercus). The first are those who «in timore et gratiarum actione sedent at mensam», while the other are those who «murmurant, detrahunt et male locuntur in mensa, nec gratias dicunt» (6X). 1.3. Ungrateful is also to ask continuously God for more, without realizing that in the Passion everything has already been given to us. Seneca’s exemplum (De beneficiis) of the condemnation of a soldier ungrateful with the one who saved him from shipwreck. Allegorical application to the Christians, saved from death (the shipwrek), welcomed at home (the church), nourished with the eucharist: they promise a lot and then maintain very little («multa promittimus et pauca solvimus»; 6Y [note the use of the first person plural]), so Christ – the saviour - will expose our fault in front of God the father, who will impress the marks (stigmata) of eternal damnation on them. Second part  Interpretation of the parable of the return of the unclean spirit (parable): in the allegory (allegorice), the devil has left the gentile, who welcomed Christ with faith, and now inhabits the Jews («ideo recendente dyabolo a gentilibus ad iudeos est reversus, in quibus nunc per infidelitatem et obstinationem dicitur inhabitare»; 6Z). On a moral level (moraliter), the parable concerns the recidivist who returns to sin and the danger of his/her condition, since «per talem recidivationem sit: Homo debilior ad resurgendum. Dyabolus fortior ad invadendum. Deus difficilior ad indulgendum». 2.1. By repeating a sin, a person gets less sensible to its relevance and more tied to it do to the habit. Image of the fish or bird in the net. 2.2. Moral interpretation of the parable. The devil is expelled by penance, yet it might come back – it has no power but it can knock at the door of the heart both using fantasies in the memory («movendo fantasmata malorum in memoria reservata incendendo per desiderium amoris»; 6Z) or using the seven vices (seven capital sins). A quaestio about how can be interpret the return of previous sins, if they were forgiven. Indeed, it is the new sin of ungratefulness for their forgiveness that is added to the new sins. Hence, one has to confess it without repeating the confession of all the previous sins (unclear reference: «ut dicit Lodovicus in summa sua») [note the pastoral outcome of this interpretation]. 2.3. God is less ready to forgive those who repeatedly despised his mercy. Discussion whether the repetition of a sin makes it worst, with a detailed reference to the position of Bonaventure, who depicted four stages of sin: interior consent; action; habit; final absence of repentance. The last stage is final and cannot be forgiven, while the other three are connected with the three episodes of resurrections in the Gospel, which symbolically happen in three different places: at home, on the door of the city, in the tomb. Third part Jesus praises the grace given to those who perform good deeds. Explanation of the scene of the Gospel, when the Virgin Mary and the relatives of Jesus call him outside. It was an insidious request, since he would abandon his pastoral engagement showing human feelings. On a moral level, it teaches that one must choose by considering the utility and dignity of things, and this is true also at a spiritual level. «Ideo quilibet debet ea [spiritualia] preeligere et preponere et hoc quo ad tria, scilicet: Temporis prioritatem. Intentionis principalitatem. Ordinis dignitatem» (7E).  3.1. One must choose virtue while s/he is young, without waiting the old age – simile  of the wax, flexible only when is hot. And exemplum of the miller who had a donkey, which he did not force when it was young, and that later on refused to work and kicked the miller, killing him. The donkey symbolizes the body: if it is not dominated when one is young, it would condemn him/her to the eternal death. 3.2. Centrality of the intention - and quaestio on how to interpret the command: «Omnia in gloriam dei facite» (1 Corinthians 10 ). The solution seems to be not that each act needs to be directly connected to the glory of God, but that it becomes an habit, as the direct exhortation sates: «Ad hoc enim debemus tendere et hoc desiderare, quod ad talem statum perveniamus quod omnes actiones nostras et affectiones principlai intentione ad deum referamus» (6I). 3.3. The necessity to put spiritual before worldly things is exemplified by saint Luis of Toulouse, quoting John XXII’s the bull of canonization («unde in bulla eius translatione scribit Iohnnis Papa XXII: Ludovicus ut sol refulgens in virtute ...»; 6K).