"In die parasceves devotissimus modus passionis domini nostri Iesu Christi contemplandus in quatuor viis cum utilibus questionibus". Introduction Ample introduction, which immediately underlines the duty of compassion and of weeping on Good Friday, as it will prove that one is a real Christian – a theme recurrent along the sermon which insist on the need for the preacher to move the audience and for the listeners to be moved by the Passion: «ido ipsam [Passionem] tenemur singuli qui sumus fideles adulti diligenter devote et lachrymabiliter sub pena eterne damnationis attendere» (f. H6r). This is proven in four points, namely ¬autoritates, rationes, similitudines, exempla. At the end of the first point, the preachers imagines Christ who addresses directly the human soul and who states that the Good Friday sermon serves to discern who is a true Christian (i.e. a limb of his body), since s/he will weep: «Attende bene quis ego sum et vide que patior et meam passionem fac tuam per compassionem et fletum. Id circo enim in hac die predicare facio meam acerbam passionem ut videam qui sunt membra mea, illi profecto qui sentiunt per compassionem, illi vero sunt alieni qui non dolent ergo nec curant flere» (f. H6v). On the basis of Nicholas of Lyra the body metaphor is then applied to the different groups in the Church. The salvific effect of the Passion needs to be welcomed by compassion and love (« per dilectione et compassione»), since: «ille qui illi non compatitur, dannabitur»; f. H7r). Imediately is presented as best exemplum the Virgin Mary, who was most sorrowful during the Passion (the key events are immediately listed) – she serves as emotional ‘spur’ for the faithful. Brief reference to the common place of the impossibility to pray the Ave Maria on the Good Friday – and so the need to turn towards the cross, using the hymn O crux ave (f. H7v).  Sermon body The sermon is organized around four routes (viae) of the Passion, which mark the chronological order of the Passion: «Et ideo charissimi salvatoris mundi discipuli et illius veri filii per quatour vias attendamus hodie et videamus redemptoris nostri maximum dolorem...» (f. H7v). 1: from Bethania to Jerusalem 2: to the Gethsemane 3: return as prisoner to the city 4: to the place of crucifixion. Each part is introduced by three theological questions (quaestiones) on the Passion (e.g. its necessity, role of God the Father, how pain and joy cohexisted in Christ during the Passion, whether it is the supreme pain ...), followed by a quite plain postillatio of the Passion narrative (harmonizing the four Gospels, with references mainly to Nicholas of Lyra), which includes several emotional addresses to the audience and/or dramatic description of the reaction of the Virgin Mary and the other characters of the Passion. Part one. Noteworthy the passage about what would have happened if Judas and the Jews did not betray Christ, with the hypothesis – presented in a moving way, with direct dialogues – that Jesus would have asked Peter or the Virgin Mary to crucify him [same reasoning in sermon 39] (f. I1r). Ample description of the last ‘private’ meeting of Jesus and the Virgin before his Passion, a very emotional and affective tone (full of kissing and weeping) in this direct dialogue between the two characters (Laskai is careful to state that this is an hypothetical reconstruction). Reference to Bonaventure. (f. I2v-I3r) Here and elsewhere addresses to the faithful soul to contemplate and see the Passion: «O anima mea, anima mea, vide quomodo filius benedicit matrem, et quomodo mater ad mortem licentiat filium. Vide inquam quam copiose flent discipuli, quam pie lachrymantur sancte muliere...» (f. I3r). This kind of address is also used to summarize each section. Part two. The sermon imagines the dialogue between Christ and the angel in the garden (f. I5v), and first description of the sufferings of Christ after his capture, with an emphatic address to the human soul, who is invited to address the Virgin Mary and to go in spirit to the places of the Passion so to gather the hairs of Jesus: «O lachrymandum negotium. O opus cruentis stupendum [...]. O anima christiana, quid audis? Quid cogitas? [...]. Vade igitur anima devota ad locum captivationis Christi saltem in spiritu, et te prosterne ibidem illi gratias agendo et evulsos crines et barbam sanctam recolligendo devotissime» (f. I6v). Part three opens with the descriuption of the diciples divided in groups who cry for Jesus' capture. Very emotional description of the announcement of Jesus capture by John the apostle to the Virgin Mary, with a detailed scene of collective weeping that involve Mary Magdalene, Martha and Lazarus of Bethania. The texts – in the direct discourse - simulates the speaking and weeping together with the anaphoric and pathetic use of heu. It finishes with the invitation to the audience to associate to this group of disciples, who moves towards Jerusalem in search of Jesus: «Ideo associa te mentaliter ad comitivam illius et cum ea attende et vide si est dolor...» (f. I8v), with the repetition of the thema that dots the sermon. Hence, the prosecution of the narrative of the Passion, although presented in a quite plain way, is supposed to happen in front of a special group of viewers/witnesses among which the listeners have been invited to stay.The emphatic tone returns at the end of the section, with the flagellation, with a renewed invitation to compassion and mental participation to the Passion (f. K2r). In comparison, references to the Jews’ responsibility is quite brief and plain. Part four. Christ on the cross as book that teaches all the virtues and distinction between Old testament figurae and he as veritas et identitas (f. K2v). Empathic description of the crucifixion, underling the point of view of the Virgin Mary and the appeal to the faithful to compassion. There is an insistence on the visual language (f. K3v). Yet, it seems that the sermon has to proceed quickly in this section, since – for instance – there is no elaboration on Jesus last words, yet just a brief expansion of with a discourse of Mary to his son on the cross. The sermon closes with a brief but vivid and graphic description of the mourning of the Virgin Mary and the disciples on the death body of Christ, the repetition of the thema and a final exhortation to compassion, with the exhortation to a final collective cry («cum grandi clamore et fletu magno dicamus sic: Christe fili dei vivi, miserere nobis [...]. Tandem unanimiter alta voce dicamus: Iesus, Iesus, Iesus!» (f. K4v).

Introduction The sermon opens by presenting the duty that parents have towards their children and exposing the cases in which a father can legitimately disinherit his son. The detailed list of seven cases is a vademecum on matters of inheritance (e.g. filial violence against his father, sexual intercourse with his mother or his father’s concubine, attempts to prevent the father from making a testament; do not care to set his father free from prison) serves to point out that the initial request of the prodigal son was legitimate. The sermon next presents three quaestiones that revolve around the restoration of the sinner after penance, with specific attention to the issue «whether the deeds that were alive through charity and mortified by sin will live again through penance» («Queritur tercio an opera per caritatem viva et mortificata ex peccato per penitentiam reviviscant»; 16R), underlining also the positive effects of the good works that one does in the condition of mortal sin. Drawing on Bonaventure, the sermon insists on the importance that one – even in mortal sin – should not desist from doing good because God will find the right way to remunerate him/her with his grace. Main division (see above) First part Far from God, the human being cannot have rest (reference to the Confessiones of Augustine: «my heart is restless until it would come to you, God» (Inquietum est cor meum donec veniat ad te; 16V). Hence, the sinner must return to the house of the Father (God), i.e. the church, where he will find also his mother, i.e. the Virgin Mary: “Through penitence, the sinner must return to the house of God the Father, which is the holy Church, where he will be safe from all his enemies. There he will find a graceful father and a mother, who is the glorious and clement Virgin May, because she welcomes those who seek refuge in the womb of her mercy, she protects them from all enemies, and she nourishes them with the milk of grace” («Debet ergo peccator redire ad domum dei patris, scilicet sanctam ecclesiam, in qua securatur ab omnibus adversariis, et hoc per penitentiam, et inveniet patrem graciosum, matrem scilicet virginem gloriosam clementem, que refugientes ad gremium sue misericordie suscipit et ab hostibus defendit et lacte gracie nutrit»; 16X). It follows a long digression on the Virgin who, as a mother, fosters the return of the sinners (the texts build upon several quotations of Anselm and Bernard of Clairvaux). Second part The fruitful return of the penitent to the state of grace («fructuosa reversio penitentisa ad statum gracie»; 17B). Sinners are invited to identify with the prodigal son: «the sinner is far away and separated from God and, in the same way of this prodigus, he must come to himself and think of his actual extreme misery and the great mercy of God the Father; he must lament and not rest until he will come to the father of mercy, God of full consolation» («Moraliter peccator, longe a deo divisus et separatus, debet instar huius prodigi per conversionem in se reverti, pensare propriam miseriam et inopiam et dei patris maximam pietatem, dolere et non quiescere donec ad eum veniat, qui est pater misericordiam et deus totius consolationis»). This exhortation to imitate the prodigal son is reiterated, in a process that involves heart, mouth and action («Ad hunc patrem pium et benignum debet peccator ad instar filii prodigi: in corde recurrere ad eius benignitatem; in ore proponere propriam iniquitatem; in opere intendere satisfactionis humilitatem»; 17C). This threefold division is connected with the three parts of penitence: contrition, confession, and satisfaction. The first point puts on the forefront not the memory of the sins but of the benefits received from God. This positive memory of God’s mercy is the starting point for the conversion, yet, mercy cannot be separated from justice. The listeners have to recall that God will punish those who do not convert from their sin, even though this goes against his merciful nature (17D). Dealing with confession, the sermon provides the listeners with a formulary to start an oral confession. Next, it considers the relationship between contrition and confession. Why is outward confession necessary? Is «contrition and confession of the heart» not sufficient? Per se, the contrition joined with the intention to confess and provide satisfaction as soon as possible already purifies the sinner. Later on, if he/she does not confess and satisfy, the previous sin cannot return. However, in that event he/she commits a new mortal sin by breaking the Church commandments (17E). Yet, if through contrition God already cancels the sin, what effect has confession? The sermon states that – since each sin is «against both God and the Church» – there is an ecclesiastical/social dimension of sin that, consequently, needs an ecclesiastical reconciliation «through confession, imposed satisfaction and the priest’s absolution» (Dum enim peccator peccat mortaliter, peccat contra deum et ecclesiam. […] peccat contra ecclesiam quam contemnit et scandalisat, et ligatur altero vinculo, quod solum per confessionem et satisfactionem iniunctam et absolucionem presbiteri ydonei relaxatus»; 17.F). Moreover, aural confession is necessary to tackle the problem of rightly establishing the measure of satisfaction: to solve it, God appointed the priest as arbiter and gave him the power to evaluate and impose penances (potentia arbitrandi et taxandi). Third part The final part deals with the amorosa receptio patris. It opens with a complex exemplum taken from the Gesta Romanorum (the story of the son of Alexander the Great, who revolted against his father – a story whose moral interpretation was already based on the parable of the prodigal son). The reaction of the father of the parable points out that God goes to the penitent rapidly (velociter), embraces him sweetly (dulciter), and dresses him nobly (nobiliter). Here, the sermon discusses prevenient grace and its accord with the human responsibility in the process of conversion. Grace is compared with the sun that shines but illuminates only those who open the doors, or with the indulgence that the pope offers to everybody but that are acquired only by those who go to Rome (17N). In the text, remains some tension between the free gift of God and human initiative, whose importance is clearly outlined by emphasising the importance of the first step taken by the prodigal son: «The father would not have come to the prodigal son along the way, if the son had not said before: I will rise and go to the father» («Non enim pater prodigo venisset obviam penitenti, si non prius dixisset: Surgam et ibo ad patrem»; 17N). Still, the sermon clarifies that it is not the penitent’s action that provokes and obtains grace, which remains a gift that is given «after this disposition but not because of this disposition» («post quam [contritionem] non propter quam deus vult dare gratiam»; 17N). Next, it turns to the spiritual theme of the love relationship between God and the soul [spiritual marriage]. The kissing of the father is connected with the kisses mentioned in the Song of Songs and opens the way for a first person discourse of the beloved soul: «The embrace and the kisses are signs of peace and love. […] The soul, bride of Christ, habitually longs for this greatly blessed and mostly beloved kiss; she longs with great desire and frequent sighs and repeats with the Song of Songs: Let him kiss me with kisses of his mouth (1,1), so that she could rejoice and be delighted. As if the soul would say: ‘My mostly beloved groom Jesus, for whose love I am languishing, might give me those grace and mercy that I am longing for with the whole depths of my heart, and might comfort me with the sweetness of his piety and of his divine benediction, so that I could return to life’» («Nam amplexus and oscula sunt signa pacis et amoris. […] Isto osculo superbenedicto et amantissimo magno desiderio et frequenti suspirio anima sponsa Christi appetere solet, et ut iocundetur et letetur dicere illud Cantico 1: Osculetur me osculo oris sui, quasi dicat: ‘Amantissimus sponsus meus Iesus, in cuius amore langueo, immittat mihi gratiam et misercordiam quam totis visceribus cordis desidero et confortet me dulcedine sue pietatis et divine benedictionis et reviviscam’»; 17O).  Playing on the contrast between the two brothers within the parable, the sermon then introduces a final question: whether God loves more the sinner who does penitence than the righteous person who has always been so («queritur an deus plus diligit peccatorem penitentem quam iustum semper benefacientem»; 17R). The discriminating factor is the fervour, so a penitent can surpass a righteous person (examples are Mary Magdalene and Paul). The elder brother of the parable symbolises those who are righteous but tepid (cf. Revelation 3,15). Still, this is not the rule. The sentence of the Gospel that «there will be more joy in heaven over one sinner who repents than over ninety-nine righteous people who have no need of repentance» (Luke 15,7) applies only to few special cases, while the supreme joy of heaven is indeed reserved for those who did not need to convert, first of all the Virgin Mary and John the Baptist.